chamber music Tag

Musicon / Debussy / Ravel / Debussy and Ravel Quartets - A note

Debussy and Ravel Quartets - A note

Posted on the November 12th, 2009 under Debussy, Ravel

Claude Debussy and Maurice Ravel only wrote one quartet each. Both of these are extremely impressionistic in style, correlating chronologically with the work of Monet and his contemporaries in France, full of colour, and rich in bold gestures. Thirteen years younger than Debussy, Ravel wrote his ::More

Musicon / Saint Saens / Jean-Yves Thibaudet: Saint-Saens is great fun!

Jean-Yves Thibaudet: Saint-Saens is great fun!

Posted on the October 31st, 2009 under Saint Saens

“I actually regard playing a concerto almost like it’s chamber music. That’s why I enjoy it so much,” pianist Jean-Yves Thibaudet says. As a concerto soloist, “I don’t feel I’m playing and not listening to the orchestra while they follow me. Music is ::More

Musicon / Musical education / Learn about Classical Music with Creative Kids

Learn about Classical Music with Creative Kids

Posted on the October 26th, 2009 under Musical education

Creative Kids Central is an interactive web site with the aim to let kids learn about classical music. It includes information on musical genres and games that will help you build you own opera!, know about symphonic music, take a glance at the world of Brahms and Chamber Music - all very ::More

Musicon / Musical education / Overtures

Overtures

Posted on the June 6th, 2009 under Musical education

Concertos for piano or violin are usually written in three movements, of which the first and last follow the symphonic model in respect of elaboration and form, and the second is a brief movement in slow or moderate time, which has the character of an intermezzo. As to the nomenclature of chamber ::More

Musicon / Musical education / Cadenzas

Cadenzas

Posted on the June 5th, 2009 under Musical education

Compositions belonging to the category of chamber music, and concertos for solo instruments with orchestral accompaniment, all have individual characteristics conditioned on the expressive capacity of the apparatus. The modern piano is capable of asserting itself against a full orchestra, and ::More