Brahms Tag

Musicon / Musical education / Learn about Classical Music with Creative Kids

Learn about Classical Music with Creative Kids

Posted on the October 26th, 2009 under Musical education

Creative Kids Central is an interactive web site with the aim to let kids learn about classical music. It includes information on musical genres and games that will help you build you own opera!, know about symphonic music, take a glance at the world of Brahms and Chamber Music – all very ::More

Musicon / Notes / Barenboim, Beethoven and Berlioz in Athens, 2009

Barenboim, Beethoven and Berlioz in Athens, 2009

Posted on the June 30th, 2009 under Notes

Yesterday night I was with friends at Herodes Atticus Odeon in Athens, where Daniel Barenboim and the Filarmonica della Scala played the 3rd piano concerto of Beethoven and Berlioz’s Symphonie Fantastique. The audience was listening in solemn silence and it was very warm and welcoming. ::More

Musicon / Classical Music / The movements of a symphony

The movements of a symphony

Posted on the May 8th, 2009 under Classical Music

Symphonies’ First movements are quick and energetic, and frequently full of dramatic fire. In them the psychological story is begun which is to be developed in the remaining chapters of the work–its sorrows, hopes, prayers, or communings in the slow movement; its madness or merriment ::More

Musicon / Musical education / The double-bassoon (contra bassoon)

The double-bassoon (contra bassoon)

Posted on the March 17th, 2009 under Musical education

A swelling martial fanfare may be made absurd by changing it from trumpets to a weak-voiced wood-wind. It is only the string quartet that speaks all the musical languages of passion and emotion. The double-bassoon is so large an instrument that it has to be bent on itself to bring it under the ::More

Musicon / Musical education / Bassoon – The grave voice of the oboe

Bassoon – The grave voice of the oboe

Posted on the March 17th, 2009 under Musical education

The grave voice of the oboe is heard from the bassoon, where, without becoming assertive, it gains a quality entirely unknown to the oboe and English horn. It is this quality that makes the bassoon the humorist par excellence of the orchestra. It is a reedy bass, very apt to recall to those who ::More