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Musicon / Musical education / Clarinet – The most eloquent member of the wood-winds

Clarinet – The most eloquent member of the wood-winds

Posted on the March 17th, 2009 under Musical education

The clarinet is the most eloquent member of the wood-wind choir, and, except some of its own modifications or the modifications of the oboe and bassoon, the latest arrival in the harmonious company. It is only a little more than a century old. It has the widest range of expression of the ::More

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Musicon / Musical education / Bassoon – The grave voice of the oboe

Bassoon – The grave voice of the oboe

Posted on the March 17th, 2009 under Musical education

The grave voice of the oboe is heard from the bassoon, where, without becoming assertive, it gains a quality entirely unknown to the oboe and English horn. It is this quality that makes the bassoon the humorist par excellence of the orchestra. It is a reedy bass, very apt to recall to those who ::More

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Musicon / Musical education / The oboe

The oboe

Posted on the March 14th, 2009 under Musical education

The oboe is naturally associated with music of a pastoral character. It is pre-eminently a melody instrument, and though its voice comes forth shrinkingly, its uniqueness of tone makes it easily heard. It is a most lovable instrument. “Candor, artless grace, soft joy, or the grief of a ::More

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Musicon / Musical education / Wagner / The art of instrumentation or orchestration

The art of instrumentation or orchestration

Posted on the March 5th, 2009 under Musical education,Wagner

Each ‘choir’ of instruments in a symphony orchestra, except the percussion instruments, is capable of playing in full harmony; and this effect is frequently used by composers. In “Lohengrin,” which for that reason affords to the amateur an admirable opportunity for ::More

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